{"id":4452,"date":"2017-11-12T00:00:00","date_gmt":"2017-11-12T00:00:00","guid":{"rendered":"https:\/\/spindelmaker.bluesystems.no\/2017\/11\/12\/photo-shoot-in-the-studio\/"},"modified":"2017-11-12T00:00:00","modified_gmt":"2017-11-12T00:00:00","slug":"photo-shoot-in-the-studio","status":"publish","type":"post","link":"https:\/\/spindelmaker.bluesystems.no\/?p=4452","title":{"rendered":"Photo-shoot in the studio"},"content":{"rendered":"

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A very creative friend of mine is recording a couple of his own songs, and asked me to come along to the studio and take some photos. In itself a fin task, but with the additional plus of being really interesting! The drums and percussion are the only instruments, except song, that is being recorded with sound. All the other instruments are played, and the sound goes via chords. This is logical, but it makes the studio-visit sort of surreal. A LOT of sound from the drums, and then everyone else apparently just miming. \ud83d\ude42<\/p>\n

I did hear some of the recordings along the way, and it sounds REALLY good!<\/p>\n

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Kurt Lis\u00f8, Jan Ove Morlandst\u00f8, Carl \u00d8yvind Apeland, Hans Olav Molde and Brynjar Stautland at Studio \u00d8.<\/p>\n

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Lagre<\/span>Lagre<\/span>Lagre<\/span>Lagre<\/span><\/p>\n

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A very creative friend of mine is recording a couple of his own songs, and asked me to come along to the<\/p>\n

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